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dc.contributor.creatorFree, Marcus
dc.date.accessioned2018-11-29T15:43:16Z
dc.date.available2018-11-29T15:43:16Z
dc.date.issued2015
dc.identifier.citationFree, M. (2015). ‘"Don’t Tell Me I’m Still on That Feckin’ Island": Migration, Masculinity, British Television and Irish Identity in the Work of Graham Linehan.' Critical Studies in Television 10(2), pp. 4–20. DOI: 10.7227/CST.10.2.2.en_US
dc.identifier.urihttp://hdl.handle.net/10395/2468
dc.description‘Don’t tell me I’m still on that feckin’ island’: migration, masculinity, British television and Irish popular culture in the work of Graham Linehan.en_US
dc.description.abstractThe article examines how, through such means as interviews and DVD commentaries, television situation comedy writer Graham Linehan has discursively elaborated a distinctly migrant masculine identity as an Irish writer in London. It highlights his stress on how the working environment of British broadcasting and the tutelage of senior British broadcasters facilitated the satirical vision of Ireland in Father Ted. It focuses on the gendering of his narrative of becoming in London and how his suggestion of interplays between specific autobiographical details and his dramatic work have fuelled his public profile as a migrant Irish writer.en_US
dc.language.isoengen_US
dc.publisherSageen_US
dc.relation.ispartofseries10;2
dc.rights.urihttps://doi.org/10.7227/CST.10.2.2en_US
dc.subjectComedyen_US
dc.subjectMasculinityen_US
dc.subjectIrish migrationen_US
dc.subjectFather Teden_US
dc.subjectGraham Linehanen_US
dc.title‘Don’t tell me I’m still on that feckin’ island’: migration, masculinity, British television and Irish popular culture in the work of Graham Linehan (Pre-published version)en_US
dc.typeArticleen_US
dc.type.supercollectionall_mic_researchen_US
dc.type.supercollectionmic_published_revieweden_US
dc.description.versionYesen_US
dc.identifier.doi10.7227/CST.10.2.2


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