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dc.contributor.creatorO'Brien, Eugene
dc.date.accessioned2011-09-15T15:11:11Z
dc.date.available2011-09-15T15:11:11Z
dc.date.issued2008
dc.identifier.citationO’Brien, E.(2008). ‘Winterwood: A Portrait of the Artist as a Postmodernist Pariah’, in Neville,G., Maher,E. and E, O’Brien (eds.), Modernity and Postmodernity in a Franco-Irish Context - Studies in Franco-Irish Relations Volume 2, Frankfurt: Peter Lang,141-160en
dc.identifier.urihttp://hdl.handle.net/10395/995
dc.description.abstractPostmodernism is often seen as following sequentially from modernism but I would agree with Lyotard’s contention that postmodernism is actually ‘a part of the modern.’ Lyotard goes on to state that a work ‘can become modern only if it is first postmodern. Postmodernism thus understood is not modernism at its end but the nascent state, and this state is constant.’ So with these interlacings in mind, I would like to look at the two novels and begin with the issue of the speaking subject in each book – Stephen Dedalus and Redmond Hatch.en
dc.language.isoengen
dc.publisherPeter Langen
dc.rightswww.peterlang.com?58158.en
dc.subjectMcCabeen
dc.subjectLyotarden
dc.subjectPostmodernityen
dc.subjectJoyceen
dc.subjectJamesonen
dc.titleWinterwood: A Portrait of the Artist as a Postmodern Pariahen
dc.typePart/ Chapter of booken
dc.type.supercollectionall_mic_researchen
dc.type.supercollectionmic_published_revieweden
dc.type.restrictionnoneen
dc.description.versionYesen


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