FACULTY OF ARTS: Recent submissions
Now showing items 341-360 of 951
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'Because she was a girl': Gender identity and the postcolonial in James Joyce's 'Eveline'
(Irish Province of the Society of Jesus, 2004) -
‘Can excrement be art … if not, why not’?: Joyce’s aesthetic theory and the flux of consciousness (Pre-print version)
(Cork University Press, 2014) -
‘Tendency-wit': the cultural unconscious of the Celtic Tiger in the writings of Paul Howard (Pre-print version)
(Manchester University Press, 2014) -
Guests of a nation; geists of a nation
(Center for Irish Studies (University of St. Thomas), 2007) -
Visioning Ireland: Pearse, prosopopoeia and the remembering of O'Donovan Rossa and Tone
(Dalarna University Centre for Irish Studies, 2014) -
‘there’s a lot more to ogres than people think’: Shrek as ethical fairy tale
(Institute of Technology, Tallaght; Dublin Institute of Technology, 2008) -
“An art that knows its mind”: prayer, poetry and post-Catholic identity in Seamus Heaney’s “Squarings”
(Universitaires du Septentrion, 2014)Seamus Heaney’s “Squarings” sequence from his 1991 collection Seeing Things speaks of the “virtue of an art that knows its mind”. This sequence attempts to know the mind in both its immanent and transcendent aspects, through ... -
Reflections on (of) nationalism
(Kairos, 1998)This project attempts to define the epistemological structure of nationalism and to suggest a theoretical model through which this can be done. I would argue that this theorization will apply to nationalism per se; however, ... -
Secularization in Ireland: Analyzing the relationship between religiosity and demographic variables in Ireland from the European Social Survey 2002-2012 (Pre-published version)
(Common Ground Research Networks, 2014)This research will explore both of these theories, secularization and existential (in)security, within Ireland against the backdrop of the recent economic crisis of 2008 using the first five rounds of the European Social Survey. -
Homilies for July (C) (Pre-published version)
(The Furrow, 1998) -
Homilies for April (Pre-published version)
(The Furrow, 1993) -
Review of Rough Magic's 2013 production of R.B. Sheridan's "The Critic"
(University of Toronto Press, 2015) -
Review of Druid Theatre Company's 2016-17 production of Samuel Beckett's "Waiting for Godot"
(Edinburgh University Press, 2017) -
George Bernard Shaw: Irish to the core
(The Irish Times, 2017) -
Fired from the canon: Waking the feminists, the conference
(The Irish Times, 2017) -
Irish-American identity in Eugene O'Neill's early plays
(Penn State University Press, 2018)This article examines Irish-American identity in Eugene O’Neill’s early work, including his “lost” plays. It demonstrates that characters such as Al Devlin in The Movie Man, Joe and Nellie Murray in Abortion, Eileen Carmody ... -
Landlord–tenant (non)relations in the work of Bernard Shaw
(Penn State University Press, 2016)As a child, Shaw was horrified by the appalling poverty of the Dublin slums, and, while working in a Dublin estate office as a teenager, he actually had to collect slum rents. On a more personal level, both sides of Shaw’s ... -
Review of "Bernard Shaw, W.T. Stead, and the new journalism: Whitechapel, Parnell, Titanic, and the Great War" by Nelson O'Ceallaigh Ritschel
(Penn State University Press, 2017) -
Review of "Where Motley is Worn; Transnational Irish Literatures" Amanda Tucker and Moira E. Casey eds.
(Center for Irish Programs of Boston College, Massachusetts, 2016)