Anglo-Irish "distortion": double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune'
Citation
Clare, D. (2018). 'Anglo-Irish “Distortion”: Double Exposure in Francis Bacon’s Portraits and Beckett’s The Old Tune.' New Hibernia Review 22(1), pp.102-119. Center for Irish Studies at the University of St. Thomas. DOI: 10.1353/nhr.2018.0007
Clare, D. (2018). 'Anglo-Irish “Distortion”: Double Exposure in Francis Bacon’s Portraits and Beckett’s The Old Tune.' New Hibernia Review 22(1), pp.102-119. Center for Irish Studies at the University of St. Thomas. DOI: 10.1353/nhr.2018.0007
Keywords
Anglo-IrishDistortion
Double exposure
Francis Bacon
Bacon
Portraits
Samuel Beckett
Beckett
The Old Tune