Browsing Drama and Theatre Studies (Peer-reviewed publications) by Issue Date
Now showing items 1-20 of 20
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A Belgian town as Purgatory and an Irish gangster as Christ in Martin McDonagh's "In Bruges"
(University College Dublin School of English, Drama and Film, 2012) -
Why did George Farquhar’s work turn sectarian after "The Constant Couple"? (Pre-published Version)
(Irish Province of the Society of Jesus, 2014) -
Bernard Shaw, Henry Higgins, and the Irish diaspora
(Center for Irish Studies (University of St. Thomas), 2014) -
Brian Friel’s invocation of Edmund Burke in "Philadelphia, Here I Come!"
(Alfred University, 2015) -
Review of Rough Magic's 2013 production of R.B. Sheridan's "The Critic"
(University of Toronto Press, 2015) -
The intertextual presence of Samuel Beckett’s "All That Fall" in Martin McDonagh’s "Six Shooter" (Pre-published version)
(EUP [Edinburgh University Press], 2015)As many critics have pointed out, Martin McDonagh's work for the stage and screen is deeply indebted to the drama of Samuel Beckett. While critics have spotted most of McDonagh's intertextual debts to Beckett, they have ... -
Under-regarded roots: the Irish references in Sterne's "Tristram Shandy" (Pre-published version)
(CUP [Cork University Press], 2016)Laurence Sterne has always occupied an uncertain place within the Irish literary canon. Important commentators have consistently denied that his work is, in any significant way, Irish. Referring to the fact that the ... -
Review of "Where Motley is Worn; Transnational Irish Literatures" Amanda Tucker and Moira E. Casey eds.
(Center for Irish Programs of Boston College, Massachusetts, 2016) -
Landlord–tenant (non)relations in the work of Bernard Shaw
(Penn State University Press, 2016)As a child, Shaw was horrified by the appalling poverty of the Dublin slums, and, while working in a Dublin estate office as a teenager, he actually had to collect slum rents. On a more personal level, both sides of Shaw’s ... -
'Turns wick low': Samuel Beckett's darkening vision and an Irish county (Pre-published Version)
(Irish Province of the Society of Jesus, 2017) -
John McGahern's 'Oldfashioned' and Anglo-Irish culture (Pre-published version)
(Manchester University Press, 2017)In John McGahern’s 1985 short story ‘Oldfashioned’, he ably demonstrates why a sensitive, bookish, Catholic young man raised in the repressive, anti-intellectual Irish Free State might be attracted to the way of life being ... -
Review of Druid Theatre Company's 2016-17 production of Samuel Beckett's "Waiting for Godot"
(Edinburgh University Press, 2017) -
Review of "Bernard Shaw, W.T. Stead, and the new journalism: Whitechapel, Parnell, Titanic, and the Great War" by Nelson O'Ceallaigh Ritschel
(Penn State University Press, 2017) -
The teacher as co-creator of drama: a phenomenological study of the experiences and reflections of Irish primary school teachers.
(Routledge, 2017-05-24)Classroom drama in the Irish primary school context remains a relatively new endeavour and is largely under-researched. The knowledge base for all aspects of teacher education should be informed by rigorous reflection on ... -
Anglo-Irish "distortion": double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune'
(Center for Irish Studies (University of St. Thomas), 2018) -
Goldsmith, the gate, and the 'hibernicising' of Anglo-Irish plays (Pre-published version)
(Peter Lang, 2018)In recent decades, Irish theatre-makers have frequently imposed Irish elements onto the “English” plays written by London-based, Irish Anglican playwrights. As discerning critics have long recognised, George Farquhar, ... -
Reflections on classic Gate plays by Mary Manning, Christine Longford, and Maura Laverty (Pre-published version)
(ISA [Irish Society for Archives], 2018)Last June, the Waking the Feminists organisation published Gender Counts (its eagerly-anticipated report on gender representation in Irish theatre), and the report confirmed what many Irish theatre fans suspected: during ... -
Irish-American identity in Eugene O'Neill's early plays
(Penn State University Press, 2018)This article examines Irish-American identity in Eugene O’Neill’s early work, including his “lost” plays. It demonstrates that characters such as Al Devlin in The Movie Man, Joe and Nellie Murray in Abortion, Eileen Carmody ... -
Traumatic childhood memories and the adult political visions of Sinéad O’Connor, Bono, and Phil Lynott (Pre-published)
(Peter Lang Ltd, 2020-02-17)Sinéad O’Connor, Paul “Bono” Hewson of U2, and the late Phil Lynott of Thin Lizzy are three of Ireland’s most famous rock musicians, but that is not all that these celebrated singer songwriters have in common. Memories ... -
The transnational roots of key figures from the early years of the Gate Theatre, Dublin (Pre-published)
(Palgrave Macmillan, 2020-11-04)When considering the avant-garde nature of the early Gate Theatre, critics rightly focus on the queer sexuality and liberal politics of many of the people associated with the theatre at the time. However, it is also important ...