Browsing Department of Drama and Theatre Studies by Issue Date
Now showing items 1-20 of 27
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The Limerick Theatre Hub 2009:Evaluation Report
(Limerick Theatre Hub, 2010) -
Furthering conversations: a report on the creating conversations colloquium
(Department of Arts Education and Physical Education, Mary Immaculate College, Limerick., 2010) -
A Belgian town as Purgatory and an Irish gangster as Christ in Martin McDonagh's "In Bruges"
(University College Dublin School of English, Drama and Film, 2012) -
Why did George Farquhar’s work turn sectarian after "The Constant Couple"? (Pre-published Version)
(Irish Province of the Society of Jesus, 2014) -
Bernard Shaw, Henry Higgins, and the Irish diaspora
(Center for Irish Studies (University of St. Thomas), 2014) -
‘Keep the aspidistra flying’: The satirising of Celtic Tiger, ‘aspirational’ lifestyles in Mark O’Rowe’s early work (Pre-published version)
(UCC [University College Cork], 2014) -
Brian Friel’s invocation of Edmund Burke in "Philadelphia, Here I Come!"
(Alfred University, 2015) -
Review of Rough Magic's 2013 production of R.B. Sheridan's "The Critic"
(University of Toronto Press, 2015) -
The intertextual presence of Samuel Beckett’s "All That Fall" in Martin McDonagh’s "Six Shooter" (Pre-published version)
(EUP [Edinburgh University Press], 2015)As many critics have pointed out, Martin McDonagh's work for the stage and screen is deeply indebted to the drama of Samuel Beckett. While critics have spotted most of McDonagh's intertextual debts to Beckett, they have ... -
Under-regarded roots: the Irish references in Sterne's "Tristram Shandy" (Pre-published version)
(CUP [Cork University Press], 2016)Laurence Sterne has always occupied an uncertain place within the Irish literary canon. Important commentators have consistently denied that his work is, in any significant way, Irish. Referring to the fact that the ... -
Review of "Where Motley is Worn; Transnational Irish Literatures" Amanda Tucker and Moira E. Casey eds.
(Center for Irish Programs of Boston College, Massachusetts, 2016) -
Landlord–tenant (non)relations in the work of Bernard Shaw
(Penn State University Press, 2016)As a child, Shaw was horrified by the appalling poverty of the Dublin slums, and, while working in a Dublin estate office as a teenager, he actually had to collect slum rents. On a more personal level, both sides of Shaw’s ... -
'Turns wick low': Samuel Beckett's darkening vision and an Irish county (Pre-published Version)
(Irish Province of the Society of Jesus, 2017) -
John McGahern's 'Oldfashioned' and Anglo-Irish culture (Pre-published version)
(Manchester University Press, 2017)In John McGahern’s 1985 short story ‘Oldfashioned’, he ably demonstrates why a sensitive, bookish, Catholic young man raised in the repressive, anti-intellectual Irish Free State might be attracted to the way of life being ... -
Review of Druid Theatre Company's 2016-17 production of Samuel Beckett's "Waiting for Godot"
(Edinburgh University Press, 2017) -
George Bernard Shaw: Irish to the core
(The Irish Times, 2017) -
Fired from the canon: Waking the feminists, the conference
(The Irish Times, 2017) -
Review of "Bernard Shaw, W.T. Stead, and the new journalism: Whitechapel, Parnell, Titanic, and the Great War" by Nelson O'Ceallaigh Ritschel
(Penn State University Press, 2017) -
The teacher as co-creator of drama: a phenomenological study of the experiences and reflections of Irish primary school teachers.
(Routledge, 2017-05-24)Classroom drama in the Irish primary school context remains a relatively new endeavour and is largely under-researched. The knowledge base for all aspects of teacher education should be informed by rigorous reflection on ... -
Anglo-Irish "distortion": double exposure in Francis Bacon’s 'Portraits' and Beckett’s 'The Old Tune'
(Center for Irish Studies (University of St. Thomas), 2018)